Picked-Up Pieces

Updike’s second essay collection contains pieces on Jorge Luis Borges, Vladimir Nabokov, and John Cheever, among others. Updike also wrote a short sketch of rules for book reviewing that still holds up. It goes as follows:
“1. Try to understand what the author wishes to do, and do not blame him for not achieving what he did not attempt.
2. Give enough direct quotation — at least one extended passage — of the book’s prose so the review’s reader can form his own impression, can get his own taste.
3. Confirm your description of the book with quotation from the book, if only phrase-long, rather than proceeding by fuzzy précis.
4. Go easy on plot summary, and do not give away the ending.
5. If the book is judged deficient, cite a successful example along the same lines, from the author’s oeuvre or elsewhere. Try to understand the failure. Sure it’s his and not yours?”
Hugging the Shore

It was with this gargantuan collection of book reviews and essays (919 pages) that Updike established himself as a top-shelf literary critic. Built up steadily over the years, it was illuminating to see all this work in one place. Yet despite sterling pieces on everyone from Saul Bellow to Kurt Vonnegut to Nathaniel Hawthorne to Ernest Hemingway, he tried his best to minimize the practice, noting that “Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.” We respectfully disagree — Hugging the Shore is full of amazing stuff.













