Cather at her most matter-of-fact and, as a consequence, her most powerful. She based this book on the life of Bishop Jean Baptiste L’Amy — she calls him Father Latour — the French-born Ohio cleric who was assigned by the church to rebuild the faith in New Mexico after the territory was annexed by the U.S. in 1831. With an old friend, Father Vaillant, Latour sets out for Santa Fe. He will find the church there to be fragmented and corrupt, with priests taking wives and charging exorbitant fees to perform marriages. Latour embarks on a decades-long effort to reform and reinvigorate the diocese. The style and structure of this book are strange, unemphatic, as if Cather had simply laid the scenes side by side in a tapestry. She compared the book to a legend, in which no event is given much dramatic weight. If this sounds like a formula for boredom, it’s not. Her serene language, with its immemorial simplicity, gives the story a weight mere drama could never provide.
Agee was a poet, a penetrating film critic for TIME and other magazines, an intricate public conscience, and a man who carried all his life the burden of his father’s death in a car accident when Agee was six. (Forty years later to the day Agee would die of a heart attack.) He brought all of that, both his gifts and his psychic injuries, to this grave and lyrical story of Rufus Follet, a boy whose world is upended by his father’s sudden death in an auto accident. What this book lacks in form it more than makes up for in subtly delineated feeling. Agee’s forgiving embrace of the deeply imperfect people he describes, a kind of Whitmanesque tenderness, stays with you a long time.
New system launch games are usually pretty dismal — look at what happened to the Nintendo 3DS — but the PS Vita’s looks unusually promising. Here’s a rundown of the seven Vita games we’re most looking forward to (and why).
In light of the Material Girl performing at Super Bowl XLVI, TIME takes a look at her life and career, both of which have been lived firmly in the public eye.